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To Be Kind
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To Be Kind [Explicit]
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Price | New from | Used from |
MP3 Music, May 12, 2014
"Please retry" | $12.90 | — |
Vinyl, May 13, 2014
"Please retry" | $38.39 | $33.04 |
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Track Listings
Disc: 1
1 | Screen Shot |
2 | Just a Little Boy (For Chester Burnett) |
3 | Little God in My Hands |
4 | Bring the Sun/Toussaint L'ouverture |
5 | Some Things We Do |
Disc: 2
1 | She Loves Us |
2 | Kirsten Supine |
3 | Oxygen |
4 | Nathalie Neal |
5 | To Be Kind |
Editorial Reviews
Young God Records is delighted to announce the release of a new album, TO BE KIND, from the Swans. A good portion of the material for this album was developed live during the Swans tours of 2012/13. Much of the music was otherwise conjured in the studio environment. Special Guests include: Little Annie, St. Vincent, Cold Specks, Bill Rieflin and more.
Product details
- Product Dimensions : 5.55 x 5.01 x 0.52 inches; 3.84 ounces
- Manufacturer : Young God Records
- Original Release Date : 2014
- Date First Available : April 13, 2014
- Label : Young God Records
- ASIN : B00JNHR162
- Country of Origin : USA
- Number of discs : 2
- Best Sellers Rank: #9,571 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #936 in Alternative Rock (CDs & Vinyl)
- #4,729 in Rock (CDs & Vinyl)
- Customer Reviews:
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Top reviews from the United States
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The album is incredibly cohesive; though each track is spectacular and engaging in its own right, the very particular order in which they are placed points to the beauty of the whole, a beautiful, brutal, twisted and wonderful tapestry of sound.
The range of experiences offered by this album is impressive. The song "Screen Shot", which is the album's opener, is a very groove oriented track that builds slowly across its relatively short 7 minute life-span towards an inevitably colossal crescendo, all the while adding to the ominous little opening rift with drums and cymbals, first tapping and slowly getting louder and more demanding, all the while adding different instruments as Gira (the lead singer and main brain behind Swans) chants rhythmically, propulsing this goreous and intimidating track to its climax.
Other songs rely on establishing a soundscape which enfolds the listener so completely that it is entirely possible to lose oneself in its hypnotic folds. "Bring the Sun / Touissaint L'overture" is one such, a hulking, massive song weighing in at 34:05. Shimmering, lovely, and mysterious, this track includes so many elements that many relistens are required to even begin to understand its enormity. Beginning with (and maintained throughout) are shimmering synthesized flutes(? It is rather difficult to determine exactly what instrument is used to establish this lovely effect), which create a strange, wavy sort of atmosphere that keeps you in its thrall for the entirety of the song. Soon after, brutal, pulsing guitar riffs rage through and in and around the flutes, simultaneously bombarding and lulling you into a trance. The track continues to shimmer along at it's own pace, with many instruments dipping in and out of the haze to shine briefly, sometimes glaringly, and then disappear again.
This review would be too long if I went over every song in detail; suffice it to say that the album is brutal and intimidating, but also beautiful, incredibly intricate and well thought out, and musically dazzling. Not for the weak of heart, but for those seeking musical adventure. If you feel content with your musical conceptions and don't need to be challenged, maybe just listen to "Screen Shot" and see if you like it.
Try it! 9/10, best album of 2014.
Top reviews from other countries
10/10
Gleich beim ersten Stück (Screen Shot) haut die Band einen richtigen geilen Groove heraus, bei dem ich unweigerlich anfange, mit dem Kopf zu nicken. Getoppt wird dieser Groove ein paar Stücke weiter bei "A little god in my hands"
Mit ihren längen von 7,8,9 Minuten sind die Songs erstaunlich kurz.
Richtig brutal geht es dann bei "Bring the sun" los. Läppische 35 minuten geht die Nummer und hämmert nach einem kurzen Intro volles Rohr rein. Kurze stakkatohafte, Melodiezeilen, die sich über mehrere Minuten wiederholen und nur beim genaueren hinhören ihre Variationen offenbaren. Dann wird es wieder stiller und das Werk wird fast zerbrechlich und Chris Pradivca zeigt dann mit der Rhythmusgruppe was er wieder aus seinem Bass herausholt. Und das Stück steigert sich wieder, steigt an in Härte und Gewalt. Das Einsetzen des Backgroundchorus jagt mir nach unzähligem Hörens immer noch einen Schauer über den Rücken.
Wenn ein Lied schuld daran trägt, dass ich taub werde, dann diese Symphonie. Der erste Teil endet mit einer Lärmorgie (DAS leise zu hören, ist nicht zu ertragen) bevor es in dem zweiten Teil übergeht "Toussaint L'Ouvertoure", welches nicht ganz so brachial herkommt, sondern eher sperrig, garniert mit den gesanglichen Eingaben von Swans-Kopf Michael Gira.
Während sie auf der einen Seite wie ein musickalisches Abrissunternehmen daherkommen, zeigen sie aber ihre ganz ruhigen Momente wie "Some things we do" oder der Closer und Titelstück "To be Kind"
Absolute Kaufempfehlung für alle, denen Musick einfach wichtig ist, die mit 3-Minuten-Liedern nicht klarkommen usw.
Musick für Fortgeschrittene!