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Inkheart 2020 reissue Paperback – April 2, 2020
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Characters from books literally leap off the page in this engrossing fantasy. Meggie has had her father to herself since her mother went away when she was young. Mo taught her to read when she was five, and the two share a mutual love of books. He can "read" characters out of books. When she was three, he read aloud from a book called Inkheart and released characters into the real world. At the same time, Meggie's mother disappeared into the story. This "story within a story" will delight not just fantasy fans, but all readers who like an exciting plot with larger-than-life characters.
- Print length576 pages
- LanguageEnglish
- Dimensions5.94 x 1.5 x 7.95 inches
- PublisherChicken House
- Publication dateApril 2, 2020
- ISBN-101912626845
- ISBN-13978-1912626847
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Product details
- Publisher : Chicken House; 5th edition (April 2, 2020)
- Language : English
- Paperback : 576 pages
- ISBN-10 : 1912626845
- ISBN-13 : 978-1912626847
- Reading age : 9 - 12 years, from customers
- Item Weight : 13.4 ounces
- Dimensions : 5.94 x 1.5 x 7.95 inches
- Best Sellers Rank: #3,140,081 in Books (See Top 100 in Books)
- Customer Reviews:
About the author
Cornelia Funke is one of today’s most beloved writers of magical stories for children. She is the author of The Thief Lord, Dragon Rider, Inkheart, Inkspell, the Ghosthunters series, When Santa Fell to Earth, and Igraine the Brave. She lives with her family in Los Angeles, California, in a house full of books.
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The central idea of Inkworld is that a reader can bring the world of a book to life. Without thinking very hard about it, I can immediately think of three other examples of fiction based on this idea: Jo Walton's Or What You Will, Jasper Fforde's Thursday Next series, and the television series Once Upon a Time. I'm pretty sure that there are dozens of other examples.
No avid reader of fiction will be surprised that this idea has shown up a lot in fiction. All of us feel that something very like this happens in reality. When I read a novel, I bring the world of the novel to life, and it becomes real to me.
Funke works a few original twists into the idea. First is the importance of reading aloud. Some readers, when they read a book aloud have the power to make the things and world of the book real, not just to themselves, but to others. Also, the permeability of books works in two directions. A reader can read fictional characters into our world, and can read herself into a novel. And finally, of course, authors matter! When a reader becomes a writer, she becomes at the same time a powerful wizard!
Inkworld is one of the best fantasy book series I have read. It is particularly good for readers!
2024 reread:
I am re-reading (or re-listening to) the first three books of the series prior to reading book four, Die Farbe der Rache, which is now sitting on my bookshelf, in hardback. (Die Farbe der Rache is an interesting title -- the German noun Farbe means color, so "Die Farbe Der Rache" is "The Color of Revenge", but it also means "dye" or "ink".) Inkheart was much as I remembered it, but I forgot how much it is about physical books. Maggie, our main point of view character, is the daughter of Mortimer, a bookbinder, and another main character, Elinor, is a collector of old books. To me this love of the physical is mostly a foreign sentiment. While I used to have a library of over 2000 books, I have abandoned most of them for ebooks. Aside from Die Farbe der Rache, I possess none of the Inkworld books as ink on paper. I have them as audiobooks and kindle books. For me, the words are the book, the ink and the paper merely incidental.
I enjoyed revisiting Inkworld after 19 years absence, and am looking forward to the next audiobooks.
The characters are well-developed and complex, with realistic flaws and strengths. Meggie is a relatable protagonist, struggling to understand the secrets her father has kept from her and trying to navigate the dangerous world of Inkheart. Mo is a fascinating character, haunted by his past and grappling with the consequences of his actions.
What I love most about this book is its vivid descriptions of the settings and characters. The world-building is rich and immersive, with detailed descriptions of the magical elements that bring the story to life. The writing style is engaging and lyrical, making it a pleasure to read.
The plot is full of twists and turns, keeping the reader engaged and eager to turn the page. The themes of family, love, and sacrifice are explored in a thoughtful and thought-provoking way, adding depth and complexity to the story.
Overall, I highly recommend Inkheart to anyone looking for a captivating and well-written fantasy novel. It is a must-read for fans of the genre, and will leave readers eagerly anticipating the next installment in the series.
The book is also, in a sense, all about books, and I love books about books. If you have a fairly good knowledge of classic children's literature, you'll enjoy those connections immensely. If you like books, particularly children's books, and you like fantasy and adventure, you will probably enjoy this book.
Quotations are used from many other children's and fantasy books. Those make the story even more enjoyable.
The writing is creative and interesting, the plot is fantastical and convoluted, the characters are varied and mostly interesting, sometimes likable and sometimes detestable, of course. Some characters aren't clearly good guys or bad guys, which is similar to life as we know it.
On the down side, which is minor, I am wondering just who this book was written for. I'm told it's children's literature. But children do not need to read about this much violence, surely, even when it is committed mostly by beings from books rather than reality? I don't know. I also find some plot twists to be very unbelievable, but it is a fantasy, after all.
I read this book on the Kindle (as I read most books) and only noticed one potential typo in the book (which is amazingly good, really).
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J'ai trouvé l'histoire prévisible.
je vais toutefois lire la suite il paraît que c'est mieux.