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I Have Some Questions For You Hardcover – February 23, 2023
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A successful film professor and podcaster, Bodie Kane is content to forget her past: the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the 1995 murder of a classmate, Thalia Keith. Though the circumstances surrounding Thalia's death and the conviction of the school's athletics coach, Omar Evans, are the subject of intense fascination online, Bodie prefers-needs-to let sleeping dogs lie.
But when The Granby School invites her back to teach a two-week course, Bodie finds herself inexorably drawn to the case and its increasingly apparent flaws. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there? As she falls down the very rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn't as much of an outsider at Granby as she'd thought-if, perhaps, back in 1995, she knew something that might have held the key to solving the case.
One of the most acclaimed contemporary American writers, Rebecca Makkai reinvents herself with each of her brilliant novels. Both a transfixing mystery and a deeply felt examination of one woman's reckoning with her past, I Have Some Questions for You is her finest achievement yet.
- Print length448 pages
- LanguageEnglish
- PublisherFleet
- Publication dateFebruary 23, 2023
- Dimensions6.38 x 1.73 x 9.37 inches
- ISBN-100349727201
- ISBN-13978-0349727202
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Product details
- Publisher : Fleet (February 23, 2023)
- Language : English
- Hardcover : 448 pages
- ISBN-10 : 0349727201
- ISBN-13 : 978-0349727202
- Item Weight : 1.1 pounds
- Dimensions : 6.38 x 1.73 x 9.37 inches
- Best Sellers Rank: #8,346,896 in Books (See Top 100 in Books)
- Customer Reviews:
About the author
Rebecca Makkai’s new novel, the New York Times bestselling I HAVE SOME QUESTIONS FOR YOU, appeared in February, 2023. Her 2018 novel, THE GREAT BELIEVERS, was a finalist for both the Pulitzer Prize and the National Book Award; it was the winner of the ALA Carnegie Medal, the Stonewall Book Award, the Clark Prize, and the LA Times Book Prize; and it was one of the New York Times' Ten Best Books of 2018. Her other books are the novels THE BORROWER and THE HUNDRED-YEAR HOUSE, and the collection MUSIC FOR WARTIME—four stories from which appeared in The Best American Short Stories. A 2022 Guggenheim Fellow, Rebecca is on the MFA faculties of Sierra Nevada University and Northwestern University, and is Artistic Director of StoryStudio Chicago. Her website is www.rebeccamakkai.com.
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The first 250 pages builds and adds girth to the main story, a few subplots, and the characters who inhabit the pages. The last 150 pages take that slow burn to a hot suspense. It’s clear that Bodie is traumatized, mostly by the murder but by other things, too. I’m a generation older than Makkai, but at a Q&A with Julia Whelan Monday night, she talked about how many creepy, perpy, pervy men, got away with it in the 1990s. I immediately related, as a Boomer, when I don’t even think that “sexual” and “harassment” could sit next to each other in a sentence back in my youth! Thank you, Rebecca, for including that character that we can hate on, who I can hiss at, as a stand-in for all the inappropriate behavior we put up with from men (including bosses!) before (and after) Anita Hill, and #MeToo. She carefully constructs a tidy whodunnit within a messy bunch of lives. She kept me guessing, and I’ll say that she stayed one step ahead of me, for sure! Makkai takes on Twitter rages and the sensationalizing of the "prvilegeddeadwhitegirl" like no other.
The last 150 pages, and then—whew—the last 50 pages, had me doing calisthenics in my head and heart. The ending was organic and thoughtful, the book was a delight all the way. “What happens when your only escape is the same thing you’re trying to escape? Here’s the soundtrack of your tragedy: Dance to it." Could she have some answers for us?
First: So all the themes (racism! sexism! covid! me too! prison rights! structural power imbalances!) all at once, in the frame of producing a podcast. The main character being in her forties looking back at her teens...all the terrible things that happened were terrible but now we have better language to describe and classify various abuses, societal or sexual or name your paradigm. The device to explore it all: She is an alum going back to her boarding school to teach a class. Oh and actually all of it is a murder mystery because...framing.
Second: On the deep dives. I struggle back and forth with high school. Some dark academia I find hilarious (Secret History), others I find...contrite (My Dark Vanessa, but it took two or three years to find it contrite). The issue of relationships and the young, whether it is between themselves or with a teacher or a coach or whatever...is that yes there are clearly abuses that happen, but the rest is just gray and trauma...well I don't know...I can't tell whether the author agrees with me, but the protagonist clearly shares the same..."it depends" lens.
But anecdotally, just before reading this book I had a period where I was forced to rehash a lot of high school in about a week. I wouldn't call the whole thing trauma or anything, but some people find high school to be very defining ("they peaked early!") some people don't, and some people don't realize it until it is too late. I am the third.
I didn't realize my own personal frameworks around education and its related systems until I had my own kids. It's been coming up a lot in the last few years, probably because I want to a place that bred competitiveness. I went to a fairly small high school in a surprisingly low-density part of New Jersey with a bunch of people whose socio-economic-class was skewed in a certain direction, if you get my drift. It is not that we did not have people with the have-nots...it's just even them by the overall state of the country were...doing okay... (although god forbid anyone come to school in not-a-beamer or a hand-me-down-saab! I hope everything is okay at home.) So, I kinda get this Granby set.
That wasn't to say there wasn't problems, there were tons of them just like this and every high school.
x
The places are just cesspools of emotional spora. And anyhow I was on a trip to Charleston and I ran into two of my former classmates who I hadn't seen in 15+ years. One interaction was very brief and perfunctory, but the second one, having already been thrown into a period of heightened anxiety about the first, downright made me want to go back on antidepressants.
Because the second one, a girl I was once quite close with walks into a random restaurant with her husband that my husband and I are having lunch in. And of course we picked up right where we left off as our husbands sat bored out of their minds, and she was more open to doing the deep dives of history (like people in this book did). (She also mentioned it took a long time for her to de-program the ultra-over-the top-competitive nature out of her. I sometimes joke with my current friends its like I am running a very important race, and I'm not even competing with the people around me, the starting line was somewhere back in the 00's...)(And because this book SC--remember prom junior year? !?I forgot to tell you at Rue 69 that I ran into your date once on 64th and West end in 2015...I wish there was a joke to this memory but there is not....)
Maybe because I didn't stay friends with my high school friends, because my life moved on, I don't think much about it. But since this trip to Charleston (2 girls from Princeton! In Charleston! On the same weekend! There for different reasons!), I've been going up and down the rabbit hole online. Mostly I discovered my high school has really progressed in terms of addressing mental health and diversity and all the things, but I do wonder if we, the product of it back when, have. According to this book...most of us...probably not.
Top reviews from other countries
Much more than a true crime novel, I Have Some Questions for You is a reflection upon the #MeToo-movement and all it brought to the table. There are no easy answers in this book, which is particularly what I loved about it, as there a no easy answers in reality even if some people would like it so much better if there were.
After the first half, the novel turns into this unputdownable page-turner. I highly recommend it.
I stopped reading because I no longer knew what the book was about and who it was about, although it was constantly repeated in variations.