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Ghost World s/c Paperback – February 10, 2015
Purchase options and add-ons
- Print length80 pages
- LanguageEnglish
- PublisherFantagraphics Books
- Publication dateFebruary 10, 2015
- Reading age13 - 17 years
- Dimensions6.5 x 0.4 x 10 inches
- ISBN-101560974273
- ISBN-13978-1560974277
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From the Publisher
Daniel Clowes began his career as an “alternative” cartoonist in 1985 with the short-lived comic book series Lloyd Llewellyn. In 1989, he created the seminal comic book series, Eightball. The first among many stories to gain notice were the darkly comic Like a Velvet Glove Cast in Iron and his savage take on the comics industry, Pussey!. These were followed in the mid-'90s by the breakthrough hit Ghost World, the dark, complex magnum opus, David Boring, and an acclaimed short story collection, Caricature. The film adaptation of Ghost World was released to wide acclaim, earning an Academy Award nomination for Best Adapted Screenplay. Clowes's work has appeared in The New Yorker, Time, Newsweek and many other magazines and he is the winner of multiple Harvey, Eisner and Ignatz Awards as well as the PEN Literary Award for Graphic Literature in 2011. His most recent books include, the time travel thriller Patience, his deluxe Fantagraphics Studio Edition collection, Original Art: Daniel Clowes, and the new paperback edition of The Complete Eightball.
Editorial Reviews
Review
― Paste Magazine
"Ghost World gets better every time I read it, and I’ve read it hundreds of times. It still frightens me a little how well Daniel Clowes managed to nail the teen-girl brain."
― Alexandra Molotkow, The Hairpin
"Ranked #10 of "The 25 Greatest Gen X Books of All Time" (2009)."
― Details
"[Clowes] spells out the realities of teen angst as powerfully and authentically as Salinger did in The Catcher in the Rye for an eariler generation."
― The Village Voice
"The most readable comic of the year."
― Time
"The appeal of Daniel Clowes’ breakout graphic novel lies not from what could be predictable plotting, but from its engaging character work. It is the relationship between outsider teens Enid and Rebecca that holds readers in its hilariously cynical sway from panel one."
― Wizard
About the Author
Product details
- Publisher : Fantagraphics Books (February 10, 2015)
- Language : English
- Paperback : 80 pages
- ISBN-10 : 1560974273
- ISBN-13 : 978-1560974277
- Reading age : 13 - 17 years
- Item Weight : 2.31 pounds
- Dimensions : 6.5 x 0.4 x 10 inches
- Best Sellers Rank: #73,530 in Books (See Top 100 in Books)
- #17 in Fantagraphics Comics & Graphic Novels
- #88 in Literary Graphic Novels (Books)
- #336 in Media Tie-In Graphic Novels
- Customer Reviews:
About the author
Daniel Clowes is the acclaimed cartoonist of the seminal comic book series EIGHTBALL, and the graphic novels GHOST WORLD, DAVID BORING, ICE HAVEN, WILSON, MR. WONDERFUL and THE DEATH-RAY as well as the subject of the monograph THE ART OF DANIEL CLOWES: MODERN CARTOONIST, published in conjunction with a major retrospective at the Oakland Museum of California. He is an Oscar-nominated screenwriter, the recipient of numerous awards including the PEN Award for literature, Eisner, Harvey and Ignatz, and a frequent cover artist for the New Yorker. He is married and lives in Oakland, CA.
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Cynical Bildungsroman
Two angst-y, misanthropic outcasts
Sharp, biting dialogue
Realistic interactions
Deadpan/witty humor
Enid and Becky are both pretty unlikable people. They’re crass, judgmental, and mean.
They appear to hate everyone and everything. But there were a (few) moments of some truly moving character actions that I wish were explored more fully.
And it’s also deeply sad when you think about it: Enid and Becky are two women in their thirties who don’t have any friends, stable jobs, or relationships. Both still live at home... their lives are unenviable and pitiful. Life just keeps on swirling around them; everyone else moving forward and moving on, while they’re stuck in this stagnant bubble of toxic co-dependency. Towards the end, when the novel starts it’s subtle musings on friendship and growing up, I don’t know... I began to sympathize and understand the characters. Their situations— It’s lonely, it’s depressing, and it’s terribly soul-crushing when you realize you’re wasting/have wasted a good chunk of your life.
(As much as I recognize the cult appeal of this graphic novel, as well as the draw that kind of thing brings, this is one of those rare cases in which I liked the movie more. The film adaptation of Ghost World is among my personal favorites).
You don't have to "utterly loathe yourself" like protagonist Enid Coleslaw to really "get it", but I'd be lying if I said it doesn't make it all that much more poignant.