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Brit(ish): On Race, Identity and Belonging Paperback – Illustrated, January 1, 2019
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Where are you really from?
You’re British. Your parents are British. You were raised in Britain. Your partner, your children, and most of your friends are British.
So why do people keep asking you where you are from?
Brit(ish) is about a search for identity. It is about the everyday racism that plagues British society. It is about our awkward, troubled relationship with our history. It is about why liberal attempts to be "color-blind" have caused more problems than they have solved. It is about why we continue to avoid talking about race.
In this personal and provocative investigation, Afua Hirsch explores a very British crisis of identity. We are a nation in denial about our past and our present. We believe we are the nation of abolition, but forget we are the nation of slavery. We are convinced that fairness is one of our values, but that immigration is one of our problems. Brit(ish) is the story of how and why this came to be, and an urgent call for change.
- Print length384 pages
- LanguageEnglish
- PublisherVintage
- Publication dateJanuary 1, 2019
- Dimensions5 x 1 x 7.75 inches
- ISBN-109781784705039
- ISBN-13978-1784705039
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Editorial Reviews
Review
"Brit(ish) brings together a thoughtful, intelligent, accessible, informative investigation on Britain as a nation not only in the midst of an identity crisis but in denial of what it has been and still is." —Dolly Alderton
"Highly personal and yet instantly universal, this is a book that millions will instantly relate to. Hirsch places her own lifelong search for identity and a sense of Britishness against the backdrop of our national identity crisis. Part historical exploration, part journalistic expose of racism and class disadvantage in modern Britain, this is a book searching for answers to some very big questions. Delving behind words like 'prejudice', 'disadvantage', 'structural-racism' Hirsch unpacks the real world impact of these forces and on the lives of real people. Written with passion not anger, insight rather than resentment, on the issues of race, identity and the multiple meanings of Britishness this is the book for our divided and dangerous times." —David Olusoga
"Memoir, social analysis and an incisively argued challenge to unconscious biases: this is a truly stunning book on racial identity by a remarkable woman." —Helena Kennedy
"[A] bracing and brilliant exploration of national identity … Through her often intensely personal investigations, she exposes the everyday racism that plagues British society, caused by our awkward, troubled relationship to our history, arguing that liberal attempts to be colour-blind have caused more problems than they have solved. A book everyone should read: especially comfy, white, middle-class liberals." —Bookseller, Editor's Choice
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Product details
- ASIN : 1784705039
- Publisher : Vintage; Illustrated edition (January 1, 2019)
- Language : English
- Paperback : 384 pages
- ISBN-10 : 9781784705039
- ISBN-13 : 978-1784705039
- Item Weight : 2.31 pounds
- Dimensions : 5 x 1 x 7.75 inches
- Best Sellers Rank: #144,260 in Books (See Top 100 in Books)
- #135 in England History
- #408 in Cultural Anthropology (Books)
- #468 in Discrimination & Racism
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The author is a very deep thinker, who has taken the time to carefully articulate complicated nuances of British society.
Fact: For many of us, and not just in Britain, race follows us, defines us, frightens us, etc. every single day.
Fact: This book contributes to a well-needed conversation on race and how we navigate, or choose not to navigate, racial identity on our path to equality. I enjoyed it, just as I enjoyed books that talk about other social issues, such as "Class Matters," "A People's History of the United States," and "Nickel and Dimed." The aforementioned books were required readings when I was at uni, and I genuinely believe that this book should be one of them as well.
Fact: Talking about race doesn't send anyone running to the far right (as the last reviewer has suggested). You run to the far right, because you believe that there is finally a political party that expresses how you felt deep down but couldn't actually say because the socio-cultural conditions didn't allow for such a "moment."
Fact: You will either love this book or hate this book. If you think that any person of colour who dares to talk about how horrible it can sometimes be to not be white does so because we hate white people, don't bother reading this book. If you keep referring to "Africa" as if it's one country, and you believe that "it's" a horrible place to live, I can assure you that you will hate it. If you are willing to engage in a dialogue and genuinely seek information in order to "walk in other people's shoes" and open your eyes to the post-colonial reality, then you'll like the book.
Top reviews from other countries
Living in Wimbledon Hirsch and her family fitted in on the surface, but Hirsch’s appearance as a ‘brown’ woman also singled her out. She grows up surrounded by a white world, in which her friends believe they’re being reassuring by not ‘seeing’ her as other than them; yet she describes early incidents that made her conscious of 'difference', such as being chased out of a posh boutique by a white shop assistant because, ‘girls who look like her must be thieves’; she doesn’t ‘read’ as black either, her hair doesn’t respond to standard treatments, she has no knowledge of black British culture, she finds it difficult to pronounce her own name. At Oxford, with its tiny percentage of BAME students, she is equally lost, despite finding a small group of like-minded friends.
This sense of being an outsider in her own country informs and undermines her whole sense of self, her identity becomes something she must work to construct. An intense feeling of dislocation leads her to spend time in Africa, Senegal and Ghana, which only serves to further complicate her attempts to work out who she is and where she belongs. And everywhere she goes she is pursued by ‘The Question’ at home in Britain more than anywhere else: ‘Where are you from?’ usually followed by, ‘Where are you really from?’. In other words you don’t fit in, you’re foreign, so now you’re required to explain exactly how foreign you are.
As Hirsch moves through the different stages of her life she links each of these to broader concerns from the history of slavery and its role in the development of Britain; the politics of hair and the particular forms of misogyny aimed at women of colour; the treatment of BAME people by the legal system; stereotypes of the ‘good’ and ‘bad’ immigrant; deeply unsettling encounters at a club for white people looking to 'swing' with black men'; the impact of class on the black community and in particular young black men. Alongside discussing specific instances of history and relevant cultural/socio-economic analyses, she presents a detailed consideration of the particular forms that racism takes in British society and how polite forms of denial, colour-blindness, perpetuate systems of inequality and impede meaningful dialogue over how to overcome structural inequalities, prejudice and bias.
This is an important, engrossing piece, lucid, well-researched and deeply thoughtful. I read it just after Akala’s ‘Natives’ and there are some overlapping topics – hard not to be – but these topics are sufficiently distinct, in their treatment and detail, for there not to be a sense of repetition or déjà vu, rather they complement each other; particularly as one is from a male and the other a female perspective. There are some minor structural issues, some minor flaws: sometimes the discussion of her partner’s working-class background comes across as a little naïve, but the problems were more than outweighed by the richness of her writing and the quality of her material.
Footnote: I read this just after the media frenzy surrounding
Lady Susan Hussy in Dec 2022 and the book explores 'The Question'.
Breaking somewhat of a tradition for me, I read some reviews before I read the book (I usually avoid pre-reads of reviews as I'm a big fan of making my own mind up). The voracity of aversion to this book that comes through in some of the reviews needs an analysis all of its own (Stephen Glover's, Michael Henderson's and trusty-old David Goodhart's come to mind as particularly distasteful denial/projection responses).
Having made up my own mind, I've given it four stars, because it's a very well-written, important and daring book - well researched, referenced and beautifully hung-together with personal, engaging snippets from the author's own life interwoven with heavyweight intellectual analysis. There was much to learn and reflect on. I cried when reading Lola's story of growing up in care through the various changes to 'race' matching in family-finding policy. I shook in anger at the historic (and current) racism Afua reminds us of - even as someone who seeks to educate oneself on history, the naked horror of our colonial past shocks and saddens me when I'm confronted with it. I giggled nervously (on the tube) when reading chapter 3 (the club in Luton, no more shall be said), and I felt indignant when reflecting on the media portrayal of black bodies (I'm so glad Afua called out the skewed media portrayal of the Williams sisters and others). I reminisced about my own trips to Ghana, and my own not-so-dissimilar experience of growing up in a leafy London suburb through 80s,90s, 00s. I was educated on every page and in every chapter I found something I wanted to argue about, to discuss, to debate - but I found much more that made me nod in agreement.
However, my criticisms would be thus:
1. It could have done more to balance the positives against the negatives. It does a stellar job of highlighting the issues Brits face in our national narrative about 'race' and inclusion but it could do more to recognise that, for all its flaws and challenges, Britain is still, in my opinion, one of the most advanced societies in promoting inclusiveness and tackling racism, and other forms of discrimination. It would be difficult to pick a nation with a similar cultural mix to the UK that has better outcomes and experiences for people of colour. That's not to say there isn't much much more to do, but I would have liked some of the positives pointed out more, to shine a light towards the plants we want to nourish and grow (and not just the weeds of society we want to eradicate).
2. It could have given people a plan for what to do. As readers - as ordinary people - who care about what she has just told us, how do we make a difference? Afua's sharp, insightful and very personal style of writing paints a real and ready picture of what life has been like for her, and people who share some of her characteristics, growing up in modern Britain. But, in some ways, for me, it is too much of a commentary, a reflection of how it is now, and I wanted her to inspire change. In her next book (which I'll definitely be reading) I'd like her to be even braver and paint the world she wants to see - not just the national conversation she wants us to have. I want her, realistically and pragmatically, to set out a path for how we should be, not just what's wrong with us. She does this in places - there are many helpful insights scattered throughout - but it's difficult to discern her vision as one coherent whole. And that is what I think this book, and Britain, needs.