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The Amazing Spider-Man (Penguin Classics Marvel Collection) Hardcover – June 14, 2022

by Stan Lee (Author), Steve Ditko (Author), Ben Saunders (Series Editor, Introduction),

4.9 929 ratings

Part of: Penguin Classics Marvel Collection (6 books)

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The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel’s transformative and timeless influence on an entire genre of fantasy.

A Penguin Classics Marvel Collection Edition

Collects “Spider-Man!” from Amazing Fantasy #15 (1962); The Amazing Spider-Man #1-4, #9, #10, #13, #14, #17-19 (1963-1964); “Goodbye to Linda Brown” from Strange Tales #97 (1962); “How Stan Lee and Steve Ditko Create Spider-Man!” from The Amazing Spider-Man Annual #1 (1964). It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few.

This anthology contains twelve key stories from the first two years of Spider-Man’s publication history (from 1962 to 1964). These influential adventures not only transformed the super hero fantasy into an allegory for the pain of adolescence but also brought a new ethical complexity to the genre—by insisting that with great power there must also come great responsibility.

A foreword by Jason Reynolds and scholarly introductions and apparatus by Ben Saunders offer further insight into the enduring significance of The Amazing Spider-Man and classic Marvel comics.

The Deluxe Hardcover edition features gold foil stamping, gold top stain edges, special endpapers with artwork spotlighting series villains, and full-color art throughout.

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From the Publisher

The Amazing Spider-Man Comes to Penguin Classics!

Both editions feature full-color art throughout and a foreword by Jason Reynolds.

Explore the Full Series of Marvel Penguin Classics!


	BLACK PANTHER HC	CAPTAIN AMERICA HC	THE AMAZING SPIDER-MAN TR	BLACK PANTHER TR	CAPTAIN AMERICA TR

Customer Reviews	353	385	929	353	385
Price	$21.99	$27.99	$16.59	$16.71	$16.99
	Black Panther Hardcover Edition	Captain America Hardcover Edition	The Amazing Spider-Man Paperback Edition	Black Panther Paperback Edition	Captain America Paperback edition

Editorial Reviews

Review

“A groundbreaking example of comics representation in literature.”
—Publishers Weekly

“Penguin provides introductory essays; superb analyses by the series editor, Ben Saunders; and extensive bibliographies.”
—Michael Dirda, The Washington Post

“Stories become classics when generations of readers sort through them, talk about them, imitate them, and recommend them. In this case, baby boomers read them when they débuted, Gen X-ers grew up with their sequels, and millennials encountered them through Marvel movies. Each generation of fans—initially fanboys, increasingly fangirls, and these days nonbinary fans, too—found new ways not just to read the comics but to use them. That’s how canons form. Amateurs and professionals, over decades, come to something like consensus about which books matter and why—or else they love to argue about it, and we get to follow the arguments. Canons rise and fall, gain works and lose others, when one generation of people with the power to publish, teach, and edit diverges from the one before ... A top-flight comic by Kirby—or his successor on “Captain America,” Jim Steranko—barely needed words. You could follow the story just by watching the characters act and react. Thankfully, Penguin volumes do justice to these images. They reproduce sixties comics in bright, flat, colorful inks on thick white paper—unlike the dot-based process used on old newsprint, but perhaps truer to their bold, thrill-chasing spirit.”
—Stephanie Burt, The New Yorker

About the Author

Writer-editor Stan Lee (1922– 2018) and artist Jack Kirby made comic book history in 1961 with The Fantastic Four #1. The success of its new style inspired Lee and his many collaborators to develop a number of super heroes, including, with Jack Kirby, the Incredible Hulk and the X‑Men; with Steve Ditko, the Amazing Spider- Man and Doctor Strange; and with Bill Everett, Daredevil. Lee oversaw the adventures of these creations for more than a decade before handing over the editorial reins at Marvel to others and focusing on developing Marvel’s properties in other media. For the remainder of his long life, he continued to serve as a creative figurehead at Marvel and as an ambassador for the comics medium as a whole. In his final years, Lee’s signature cameo appearances in Marvel’s films established him as one of the world’s most famous faces.

Steve Ditko (1927– 2018) began his comics career in the anthologies of the 1950s, where his unique style quickly earned him recognition and respect. He was recruited in 1958 to join Stan Lee’s Atlas Comics, which was later transformed into Marvel, where his talent for expressionistic caricature contrasted well with Jack Kirby’s gift for widescreen- style spectacle. In 1962, in the pages of Amazing Fantasy, Ditko and Lee brought to life Peter Parker, the Amazing Spider- Man, changing the industry forever. During the same period, he also co‑created (with Lee) and plotted the first adventures of Doctor Strange. After leaving Marvel in 1966, Ditko drew the Blue Beetle and Captain Atom for Charlton Comics; the Creeper and Shade the Changing Man for DC Comics; and Mr. A., an independent creation whose black-and-white vision of morality reflected Ditko’s own political philosophy. Ditko returned to Marvel during the late 1970s and remained there for much of the 1980s, co‑creating Speedball, the Masked Marvel, the Unbeatable Squirrel Girl, and other prominent characters.

Jason Reynolds is an award- winning and number one New York Times bestselling author. Reynolds’ many books include Miles Morales: Spider- Man; the Track series (Ghost, Patina, Sunny, and Lu); Long Way Down, which received a Newbery Honor, a Printz Honor, and a Coretta Scott King Honor; and Look Both Ways, which was a National Book Award Finalist. His latest book, Stamped: Racism, Antiracism, and You, is a collaboration with Ibram X. Kendi. Reynolds is the 2020– 2021 National Ambassador for Young People’s Literature and has appeared on The Daily Show with Trevor Noah, Late Night with Seth Meyers, and CBS This Morning. He is on the faculty of the MFA in Creative Writing Program at Lesley University and lives in Washington, DC. You can find his ramblings at jasonwritesbooks.com.

Ben Saunders is a professor of English at the University of Oregon. He is the author of Desiring Donne: Poetry, Sexuality, Interpretation and Do the Gods Wear Capes?: Spirituality, Fantasy, and Superheroes, as well as numerous critical essays on subjects ranging from the writings of Shakespeare to the recordings of Little Richard. He has also curated several museum exhibitions of comics art, including the record- breaking, multimedia touring show Marvel: Universe of Super Heroes— a retrospective exploring the artistic and cultural impact of Marvel Comics from 1939 to the present.

Excerpt. © Reprinted by permission. All rights reserved.

Series Introduction

If you were suddenly gifted with powers that set you apart from ordinary humanity, what would you do?

For the first generation of comic book super heroes, launched in the late 1930s, the answer was obvious: You used your special abilities for the benefit of others. You became a "champion for the helpless and oppressed" and waged an "unceasing battle against evil and injustice."

It was a fantasy predicated on the effortless fusion of moral certainty with aggressive action, the national appetite for which only increased after America's entry into the Second World War in 1941. More than seven hundred super-powered do-gooders debuted in the boom years of 1938-1945. Collectively, they helped to transform the comic book business from a vestigial limb of print culture into a muscular arm of the modern entertainment industry. With the social tensions and abiding inequalities of US culture temporarily obscured by the Nazi threat, super heroes even came to emblematize the (sometimes contradictory) principles of individualism, democracy, and consumerism: the American way.

After the war, comics remained big business-the genres of romance, Western, crime, horror, and humor all thrived-but audiences turned decisively away from super heroes. Indeed, by the summer of 1953, the costumed crime-fighter appeared on the verge of extinction. Of the hundreds of characters that had once crowded the newsstands, only five still had their own titles: Quality Comics' Plastic Man and DC Comics' Superman, Superboy, Batman, and Wonder Woman. Old-fashioned products of a simpler time, they were ripe targets for satire. There were sporadic attempts to revive the craze, of course-most notably in 1954, when a wave of national hysteria over the putative effects of crime and horror comics on younger readers led several publishers to seek more parent-friendly alternatives. The companies of Ajax, Atlas, Charlton, Harvey, Magazine Enterprises, Prize, and Sterling all tried out a few super hero books in an effort to recapture a small portion of the market that they once had dominated. Significantly, all failed.

No single factor can definitively explain this shift in popular taste, but clearly times had changed. Against the background of the wasteful and inconclusive war in Korea, the vicious theater of McCarthyism, and the ugly response to the first stirrings of the civil rights movement in Montgomery, Alabama, the moral simplicity of the super hero fantasy looked na•ve at best and reactionary at worst. Clearly, if super heroes were going to be revived successfully, they would have to be reinvented.

The process began at DC Comics, the only American comic book publisher to have a real stake in the genre at the time, with the return of the Flash in mid-1956. Writer Bob Kanigher revised the concept (which dated back to 1940), adding a self-reflexive element; his hero, Barry Allen, had a nostalgic fondness for old Flash comics. Kanigher thereby acknowledged and incorporated DCÕs earlier Flash stories while simultaneously placing them at an ironic distance-making his own tale seem more authentic and contemporary. The summer of 1959 saw a similar modernization of the Green Lantern. The origin story of the first Lantern, from almost twenty years prior, had been a messy Orientalist hodgepodge; the new version drew on science fiction tropes more suited to the age of the space race. In late 1959, these revitalized heroes joined forces with Superman, Batman, and Wonder Woman to form a team: the Justice League of America.

The strong sales of the JLA made other publishers sit up and take notice. Among them was Martin Goodman, the owner of the company not yet known as Marvel. Goodman had enjoyed plenty of success with super hero comics in the 1940s and owned the rights to such former hits as Captain America, the Human Torch-somewhat misnamed, as he was actually a flame-powered android-and Namor the Sub-Mariner. (A true original, the Sub-Mariner was perhaps the only super-powered character of the first generation to regard ordinary humanity with open hostility.) But Goodman had canceled all his super hero books in 1949 to pursue more popular trends. Now, at the dawn of the '60s, half the titles in his comics division were romances or "teen humor" titles, while the other half was divided among war, Western, and "monster" books-anthologies that served up a different B-movie-style menace month after month-without a single super hero in the bunch.

Goodman decided that he needed a super team of his own on the shelves, fast, and assigned the job to a writer-editor named Stanley Lieber, better known today as Stan Lee. A cousin of Goodman's wife, Lee had joined the company in 1939 at the age of seventeen, rising to oversee Goodman's entire line. He'd grown up in the comic book industry, knew all its formulas and limitations, and longed to transcend them-but by his own account, he was starting to wonder if he ever would. When Goodman told him to create a copycat Justice League, Lee turned for help to Jack Kirby, a veteran artist who had co-created Captain America (among many other super heroes) with Joe Simon back in the 1940s. The result of their collaboration would be far more than a knockoff of the latest trend, however. Drawing inspiration from multiple sources, the two men managed to blend a whole new pop-cultural cocktail: a transformative take on the super hero. The comic was called The Fantastic Four, and in its pages, Lee and Kirby would also map out the basic contours of the Marvel Universe.

Product details

Publisher ‏ : ‎ Penguin Classics (June 14, 2022)
Language ‏ : ‎ English
Hardcover ‏ : ‎ 384 pages
ISBN-10 ‏ : ‎ 0143135724
ISBN-13 ‏ : ‎ 978-0143135722
Grade level ‏ : ‎ Preschool and up
Item Weight ‏ : ‎ 1.65 pounds
Dimensions ‏ : ‎ 7.83 x 1.2 x 10.64 inches

Best Sellers Rank: #54,139 in Books (See Top 100 in Books)
- #52 in Graphic Novel Anthologies (Books)
- #54 in Literary Graphic Novels (Books)
- #545 in Superhero Comics & Graphic Novels

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4.9 929 ratings

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Stan Lee

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Stan Lee is a man who needs no introduction. Nevertheless: Having begun his career with wartime Timely Comics and staying the course throughout the Atlas era, Stan the Man made comic-book history with Fantastic Four #1, harbinger of a bold new perspective in story writing that endures to this day. With some of the industry’s greatest artists, he introduced hero after hero in Incredible Hulk, Amazing Spider-Man, X-Men and more — forming a shared universe for rival publishers to measure themselves against. After an almost literal lifetime of writing and editing, Lee entered new entertainment fields and earned Marvel one opportunity after another. He remains one of Marvel’s best-known public representatives.

-----------------

Stanley Martin Lieber (Manhattan, Nueva York; 28 de diciembre de 1922 - Los Ángeles, California; 12 de noviembre de 2018), más conocido como Stan Lee, fue un escritor y editor de cómics estadounidense, además de productor y ocasional actor de cine. Es principalmente conocido por haber creado personajes icónicos del mundo del cómic tales como Spiderman, Hulk, Ironman, los 4 Fantásticos, Thor, los Vengadores, Daredevil, Doctor Strange, X-Men y Bruja escarlata, entre otros muchos superhéroes, casi siempre acompañado de los dibujantes Steve Ditko y Jack Kirby. El trabajo de Stan Lee fue fundamental para expandir Marvel Comics, llevándola de ser una pequeña casa publicitaria a una gran corporación multimedia. Todavía hoy, los cómics de Marvel se distinguen por indicar siempre «Stan Lee presenta» en los rótulos de presentación. También tuvo un programa televisivo en History Channel en donde buscaba superhumanos "reales".

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RDD

A Great Collection for Spider-Man Fans!

Reviewed in the United States on December 15, 2022

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Penguin Classics’ “The Amazing Spider-Man” collects “Amazing Fantasy” #15, “The Amazing Spider-Man” #1-4, 9-10, 13-14, & 17-19 along with summaries of “Amazing Spider-Man” #5-8, #11-12, #15-16, Annual #1, and material from “Strange Tales” #97, all written by Stan Lee and illustrated by Steve Ditko. These stories detail much of Spidey’s formative first two years, while Ben Saunders’ introduction explains the historical context of the comic book industry at the time as well as the legacy of Lee & Ditko’s work. Jason Reynolds’ foreword describes what Spider-Man – and his teenaged alter ego Peter Parker – meant to Reynolds and his brother as young readers, further helping to contextualize the character.

These stories introduce Spider-Man’s friends and family, Aunt May, J. Jonah Jameson, Betty Brant, Liz Allen, and Flash Allen. Spider-Man regularly works with members of the Fantastic Four, developing a friendship with the Human Torch, and even meets the Avengers in these stories. Additionally, classic recurring villains make their first appearances, including the Vulture, Doctor Octopus, Sandman, the Lizard, Electro, Big Man & the Enforcers (Montana, Fancy Dan, & Ox), Mysterio, the Green Goblin, Kraven the Hunter, the Sinister Six, and Mac Gargan (who later become the Scorpion & Venom). The story from “Strange Tales” #97 features a couple named Aunt May and Uncle Ben months before “Amazing Fantasy” #15, though these two have little in common with Peter Parker’s family as their story so thoroughly departs from the May & Ben who appeared later.

These formative issues underscore the significance of Spider-Man and lay the groundwork for the hundreds and hundreds of stories that followed. As Stan Lee noted in the end of issue 9, summing up Ol’ Web-head’s appeal, Spider-Man is “the superhero who could be – you!” (pg. 162). In addition to the stunning presentation of this volume with its bold red covers with gilt details and page edges, Penguin added bonus material for fans new and old. This volume includes three appendices, suggestions for further reading, and a notes section as befitting the best of Penguin’s historical collections. The overall presentation makes it a truly lovely volume to gift to any fan.

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Brent J.

Great for actually reading Amazing Fantasy No. 15!

Reviewed in the United States on February 19, 2023

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Who doesn't want to own an Amazing Fantasy No. 15?!? But if you had one, it would be hermetically sealed inside its graded case, and probably tucked away inside a climate-controlled vault to avoid any chance of damage. Or enjoyment, if you come right down to it: you'd never dream of touching it or (gasp!) actually reading it.

That's why I loved this volume so much. It was wonderful to experience some of the foundational Spider-Man comics as if they had been purchased off the rack in the corner five-and-dime (albeit, as part of this volume, considerably less able to be folded and carried inside one's back pocket). But everything's there in all the original glory: the stories; the artwork; even original fan letters to the editor. Add contemporary essays and interesting historical commentary to the mix, and you better understand why these comics have become an essential part of the zeitgeist and are worthy of such a sumptuous and well-executed volume. Treat yourself!

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Denise

Gift

Reviewed in the United States on April 30, 2024

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Another gift for my son-in-law that he just loved. He's a big Spiderman fan and loves the comics too so this was wonderful.

Reviewed in the United States on April 7, 2024

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I absolutely love the Penguin Classics Marvel Collection. I've read nearly all of them so far. If you love Marvel Comics, you have to read these. And to the powers that be at Penguin, please, please, do Dr. Strange, Thor, Iron Man, and Hulk next!

Reviewed in the United States on February 13, 2024

Verified Purchase

My husband loved this book! It was one of his favorite Christmas gifts. It has the OG Spiderman comics and he was stoked to get it. The book is really nice looking with the gold accents and gold sprayed edges. 10/10 would recommend if you have a Spiderman fan in your life.

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Joeysmom

Beautiful

Reviewed in the United States on February 15, 2024

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I purchased the book for my grandson as he's really into Spiderman! He's only in 1st grade but I hope that he will use this book for years to come! Very happy with this purchase. Would highly recommend!

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donald e mulligan

Grandson loved it

Reviewed in the United States on March 9, 2024

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Good birthday present

Reviewed in the United States on February 25, 2024

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My Spiderman teenage fan loves it! And it was half the price then Barnes and nobles

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Alex Kim

Good

Reviewed in Canada on January 5, 2024

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Good

JESUS ANTONIO HERNANDEZ RODRIGUEZ

The book is amazing but it came damaged, all goes wrong in the last step.

Reviewed in Mexico on July 18, 2022

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The product is amazing, but as I said it arrived damaged.

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fabiano vidal

Clássico!!

Reviewed in Brazil on July 3, 2022

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As origens do universo do Aranha numa edição espectacular!!

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Jon Mainwaring

Timeless collection in a beautiful book!

Reviewed in the United Kingdom on September 11, 2023

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Great stories and insights into the creation of the first Spidey appearances. All the best villains too!

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Tariku

Wonderful

Reviewed in Germany on June 16, 2023

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If you're looking for a history, background, and the beginnings of Spider-Man this is the perfect book to start with. The production quality is quite high for its price and can be used as a coffee table book or a memorabilia or even a wonderful gift to someone you know who is fan of the franchise. I would recommend the entire collection as they look very premium on your bookshelf.

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