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Becoming AFI: 50 Years Inside the American Film Institute Hardcover – October 10, 2017
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Written in a unique memoir style, Becoming AFI: 50 Years Inside the American Film Institute offers a candid look at how this remarkable organization has brought together aspiring filmmakers, outstanding educators, and visionary artists. The book details AFI’s journey to becoming the foremost national champion for moving images as a vibrant art form and a critical component of America’s cultural history.
AFI’s story is chronicled through in-depth essays written by those who have been involved in its adventures, growth, and successes: from its early years under George Stevens Jr.’s direction at the legendary Greystone mansion and the Kennedy Center in Washington, DC; through its period of incredible growth, under Jean Picker Firstenberg’s guidance, as an influential cultural institution at its landmark Hollywood campus; to its continued years of excellence under Bob Gazzale’s dynamic leadership.
Becoming AFI provides an insightful, behind-the-scenes look at how AFI―with passionate determination―overcame the hurdles of advancing technology, political shifts, and new audience dynamics to turn its aspirations into a substantial and highly successful organization. A tireless advocate of moving images as one of America’s most popular art forms, AFI is maturing into one of the world’s most respected educational and cultural institutions.
- Print length496 pages
- LanguageEnglish
- PublisherSanta Monica Press
- Publication dateOctober 10, 2017
- Dimensions7 x 1.25 x 10 inches
- ISBN-101595800948
- ISBN-13978-1595800947
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Editorial Reviews
Review
“Less a straightforward history and more a behind-the-scenes memoir, Becoming AFI also features photographs chronicling the last five decades of the institute.”
―L.A. Times
“Chock full of intriguing personal anecdotes and historical milestones, Becoming AFI is as much an easy to read narrative of the growth and development of a major non-profit as it is a useful compendium to page through.”
―PictureThisPost.com
“A unique look inside this remarkable organization and the impact it’s had on entertainment industry. . . . The fact that Becoming AFI: 50 Years Inside the American Film Institute is written in memoir style prose offers a feel of being a part of the journey.” ―TheNerdyGirlExpress.com
Review
“As it celebrates its fiftieth anniversary, AFI stands as our country’s leading cultural and education institution in the history of American cinema. Becoming AFI is an admirable personal account of how that mission to nurture and protect the artistic and ethical standards of the film industry unfolded.” ―Henry Louis Gates Jr., author, scholar, historian, and filmmaker
“It is rare to find the story of a cultural institution’s birth and growth actually written by those who were on the firing line during the process. It’s even more rare to find the story written by authors who are incisive, honest, observant, and committed to telling it like it really was. In particular, Jean Firstenberg’s first-hand account of how and why the AFI was one of the 1960s government-funded arts institutions to survive is an excellent read. It’s also an insight into successful female leadership, something we still don’t have enough of today.” ―Jeanine Basinger, film historian-academic, author, and AFI trustee
“WELL DONE! This book tells a wonderful history and an important story about Hollywood, education in the arts, and the movie business. Brava!” ―Marsha Mason, actor, director, author, and AFI trustee emeritus
“AFI saved our film history. AFI celebrates filmmakers. AFI trains the next generation. Thanks to the NEA for creating the AFI. Thanks to Becoming AFI for telling us the fascinating story of its fifty-year history. And a big thank you to Jean Picker Firstenberg and James Hindman for documenting all of it! Here’s to the next fifty!” ―Edward James Olmos, actor and AFI trustee
“The AFI started out as an experiment verging on a mystery. But somehow it became an incubator for some of the great film talent of the late part of the twentieth century and the beginning of the twenty-first. This is a tribute to the dedication and insight of its leaders and its faculty and its Fellows.” ―Caleb Deschanel, filmmaker (AFI class of 1969)
“Documented here by the people who lived it, this is a remarkable tale of how a major institution, created out of whole cloth, wove itself into the American fabric.” ―Cokie Roberts, author and political commentator for ABC and NPR
About the Author
James Hindman, PhD, has spent his career in cinema and performing arts, creating and leading professional and public education programs at major institutions. During his twenty-four years at the American Film Institute, where he served as co-director and chief operating officer, he was provost of the AFI Conservatory, which he nurtured through WASC accreditation. He was also the uncredited producer of the award-winning feature documentary Visions of Light and the television series Starring the Actor. He developed the AFI Silver Theatre and Cultural Center in Silver Springs, Maryland, as well as numerous television projects and international film and television festivals. Subsequent to AFI, he developed and led film schools in the U.S. and internationally, including the Red Sea School of Cinematic Arts in Aqaba, Jordan, and New Mexico State University’s Creative Media Institute in Las Cruces. He is currently on the board of the New Mexico School for the Arts in Santa Fe, charged with creating a new cinematic and media arts program and facilities for the school. Prior to AFI, he served as head of graduate studies in the Performing Arts Department at American University in Washington, DC, having previously taught at the University of North Carolina. Hindman holds a PhD in drama from the University of Georgia and has served on the boards of the AIDS Service Center and LAMP in Los Angeles. He currently splits his time between Santa Monica, California, and Taos, New Mexico.
Patty Jenkins made history in 2017 when she directed her second film, Wonder Woman, becoming the first woman to direct a studio superhero movie and earning the biggest domestic opening of all time for a woman director. Jenkins wrote and directed her first film, the crime drama Monster, in 2003, launching Charlize Theron’s career with many awards, including an Oscar for Best Actress. Jenkins graduated from the Cooper Union for the Advancement of Science and Art in 1993 and the AFI Conservatory in 2001.
Dana Gioia was appointed Poet Laureate of the State of California in 2015 by Governor Jerry Brown. An award-winning poet who has published five collections of poetry, Gioia served as chair of the National Endowment for the Arts from 2003 to 2009, and was named a USC Judge Widney Professor in Poetry and Public Art in 2011.
David Lynch, born in 1946 in Missoula, Montana. Eagle Scout.
Product details
- Publisher : Santa Monica Press (October 10, 2017)
- Language : English
- Hardcover : 496 pages
- ISBN-10 : 1595800948
- ISBN-13 : 978-1595800947
- Item Weight : 1.75 pounds
- Dimensions : 7 x 1.25 x 10 inches
- Best Sellers Rank: #3,400,832 in Books (See Top 100 in Books)
- #1,248 in Philanthropy & Charity (Books)
- #3,408 in Art of Film & Video
- #8,132 in Movie History & Criticism
- Customer Reviews:
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Co-author of Becoming AFI: 50 Years Inside the American Film Institute.
Jean Picker Firstenberg served as President and CEO of the American Film Institute from 1980 to 2007, overseeing the development of AFI as one of America’s greatest national, cultural and educational resources. She received an AFI Life Achievement Award for Service to the Institute and was named President Emerita and a Lifetime Trustee.
In 2016, Firstenberg was named to the California State University Board of Trustees by Governor Jerry Brown, overseeing the largest four-year public university system in the United States, with 23 campuses educating the most diverse student body in the nation. Prior to serving at AFI, Firstenberg spent four years as a program officer at the John and Mary R. Markle Foundation. She also served as Director of Princeton University’s Publications Office.
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Authors Jean Picker Firstenberg and James Hindman orchestrate the telling of this fascinating story. Added to their own reporting are the voices of others who helped shape the history of the American Film Institute and who write with passion and authority. They are storytellers and each chapter is one person’s view of a particular event or time frame.
Begin anywhere in the book; select a chapter as you would select a tempting bite of chocolate in a box of assorted delicacies. Each one is special in its own way.
I particularly enjoyed the way Jean Firstenberg begins the first chapter. She offers a sweeping view of AFI in the context of what was happening in the world. Without the work of AFI, 4,000 films would not have been restored and an important part of the history of American cinema would have been lost.
AFI support the empowerment of women in film and provide opportunities for them to succeed. Maya Angelou wrote, “I am proud of the American Film Institute for what it has done for me and others who would never have had the delicious experience of saying ‘action’ and ‘that’s a wrap!”
Of particular interest are the sections detailing AFI's relationship with technology developers like Apple, which helped bring groundbreaking tools such a non-linear editing to a new generation of filmmakers, the rise of "American Film" magazine and the "Visions of Light" documentary, the development of the AFI Catalog, AFI's Directing Workshop for Women, and the dozens of anecdotes and evocative personal essays that work together to preserve AFI's storied history.
The book also serves as a "Who's Who" of some of the biggest names in Hollywood history, such as Gregory Peck, Dustin Hoffman and Meryl Streep, as well as the creatives and executives working behind the camera or behind the scenes including Tom Pollack, Sir Howard Stringer and Bud Yorkin. There are a plethora of photographs to help commemorate AFI and its achievements, and the portrait of Firstenberg drawn by David Lynch is worth the price of admission alone.
Congrats to all, if you love film. If you love film preservation..
A must read